Right; as the Dream City FIlm Club play on the stereo, I'm trying to recount what exactly I've been doing this weekend. Thankfully, it's mostly been involving unplugging, in a big, big way - and I'm feeling a little more relaxed for it.Friday night was spent having a couple of well-needed drinks with the lovely Dawn "Enemy of the people!" Carr, who, as always, was great fun, and even roped me into getting along to a performance of Cymbeline at the Globe before it closes. After a couple of beers, homeward-headed was I, where I ended up getting acquainted with the gift I'd been sent by the godhead that is Russ; a DVD copy of Rushmore that'd been purchased when it was revealed that I hadn't seen the movie. To concur with an opinion posited by Brooke, some days ago, Bill Murray is the fuckin' man. Lovely, lovely film - Max Fisher is like a younger, geekier Ferris Bueller, but with a bit more depth. Hell, he produces school-level productions of Serpico - how can you beat that? The relationship/contest between Murray and Schwartzman is really touching, in places - I'm surprised this gem had escaped my sight for so long. It certainly opened my eyes to the depth that Murray can reach if he's allowed. Just wonderful.
Saturday saw an excursion to the Tate Modern to check out the Juan Muñoz installation, Double Bind. It's fabulously atmopheric: half of the Tate's entrance space has been split into two floors, with two endlessly-cycling elevators installed. Walking on the lower floor is like walking inside a carpark, with light shining down from vents cut into the roof. Inside some of these vents, one can grasp views of a hidden world - sculpted individuals are caught in the act of embarking on secret journeys, turning away from the viewer and appearing to move down hallways, into doors. It's quite creepy in a very David Lynch-like way. If viewed from above, a large flat space is presented, with some vents visible, others being nothing but tromp l'oeil paintings. The elevators are the only things moving, descending and ascending - empty - all the time. If you can imagine the elevator scenes in Angel Heart, that's getting to the level of wierdness that this piece communicates. Well worth it, if you can get down there for a look.
A couple of hours gallery-cruising later - and after picking up a copy of Allen Kurzweil's wonderful A Case of Curiosities, a book I'd read years ago and loved, which isn't surprising given that it's about 18th century automata - Catherine and I made our way to Anna, Rob and Bronni's housewarming, about five minutes away from Waterloo. I was massively impressed by the light-up drinks cabinet in the spectacularly '70s-wallpapered loungeroom, and had a really good time - relaxing, eating, drinking, and impressing all and sundry that not only could I make martinis on command (it was a James Bond-themed housewarming; I dressed in muted tones and feebly joked that I was a generic henchman), I could talk unparallelled amounts of arse after having consumed a couple of said drinks. A good night.
Today saw the shocking realisation that my new haircut, if I go to bed with some styling product or other in it, will, after a night's relaxation, render me tonsorially-identical to Michael Portillo. Not a good thing, you'll agree. But struggle on, I shall. I spent the rest of the day lounging about, cruising through town, and returning home with a) a gigantic sandwich in my bag (god bless Subway and all who sail in 'er) and b) a plan to do bugger-all. Both a) and b) have been pursued with some gusto.
Oh, and I bought Rammstein tickets. While I'm eating soup - in about a week, I'm guessing - I'll keep myself sane with thoughts that come December 2, I will be watching a homoerotic/rock/techno/cheese concert in which large German men will be setting light to themselves. I can't wait.
OK: time to head off. I'm reading Meg's copy of Bill Bryson's tome on Australia, entitled Down Under. He's still a bit of a git - sanctimonious, mayhap? - but it's a nice to read something that gives a more-or-less accurate picture of home. I'm about two-thirds of the way through the thing - I started this afternoon - and I think I want to get it finished before tomorrow. G'night.