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I turned 37 two weeks ago. I knew I'd end up at these arbitrary numbers - 25, 30, 35 - and while I could imagine being older, I couldn't imagine being different. One of the hardest things to conceive is the transformation of self. I thought, perhaps, I wouldn't change, that I wouldn't want different things, or feel differently than I did at, say, 27. The shock, now, is that I'm older, and I can write "older" because it really is the weight of the past that makes me who I am. Last year, the CRTC (which regulates broadcasting and telecom in Canada) licensed more that 200 new channels that would be made available through digital compression over both old coax cable and direct broadcast satellite. I've gone through the decision a few times, marveling at the implications. In part, the commission was saying, Present something reasonable, show that you might be able to do it, and you have our permission. Of course, you had to be one of the Canadian cable players: CITY, Global, Alliance... the usual suspects. "On Thursday, EnviroLink Network, a Pittsburgh-based nonprofit Internet service provider, took offline two Web sites belonging to the animal-rights activist group Stop Huntingdon Animal Cruelty. The action came in response to a letter sent to the ISP earlier in the week by Huntingdon Life Sciences, a British medical research firm. Citing the Digital Millennium Copyright Act (DMCA), Huntingdon accused the activists of violating its copyright. Although no charges have yet been filed, under the terms of the DMCA, Envirolink was forced to remove the sites to avoid potential legal liability." From Salon.com. :: posted 21:31, September 4, 2001 The weblog and webcam "scenes" (a term I would rather use conditionally, as opposed to communities) were always about social extension in cyberspace. Or, in the words of Sapphireblue, "Just like high school, but without the learning part." So, of course, there is gossip; Internet Gossip, to be exact. :: posted 21:29, September 4, 2001 Wake up, John! Wake up! :: posted 21:21, September 4, 2001 I remember running into Dustin Hoffman on a rainy New York street some years ago; he had only a month earlier played the part of the Lomans' pale and nervous next-door neighbor, Bernard, in a recording session with Lee Cobb of Death of a Salesman. Now as he approached, counting the cracks in the sidewalk, hatless, his wet hair dripping, a worn coat turned up, I prepared to greet him, thinking that with his bad skin, hawkish nose, and adenoidal voice some brave friend really ought to tell him to go into another line of work. As compassionately as possible I asked what he was doing now, and with a rather apologetic sigh he said, after several sniffles, "Well, they want me for a movie." "Oh?" I felt relieved that he was not about to collapse in front of me in a fit of depression. "what's the movie?" Arthur Miller, "American Playhouse: On politics and the art of acting," Harper's Magazine, June 2001. :: posted 15:12, August 30, 2001 What is Palm to do? My Palm III has been having problems lately. Three weeks ago I turned it on to find six months of un-synced-due-to-hubris data wiped. My own fault; I never back up enough, and had jammed so many goofy apps on my Palm, with so many custom databases, that I was scared to run Backup Buddy in case my PC hung. It's working now, but flakey, and although I don't know the exact problem, I know enough not to squeeze it, lest it be wiped again. Common sense, I suppose: don't squeeze the Palm. Do you think the stereotypes in gansta rap make it a new form of minstrelsy? There's a certainly much more anger in rap than I've ever evidenced in coon songs. Coon songs seem more willing to placate. In the rap which we find degrading, you can hear the rage, you can hear the anger, you can hear the self-hate very clearly defined, in the absence of the same kind of tyranny that those who lived in the coon-song period faced. Those rappers are caught in a trick bag, because it's a way to make unconscionable sums of money and a way to absent yourself from any sense of moral responsibility. It's all in the name of 'that's he way we are.' Well, is there more to us than being just the way we are? Do we have no responsibility? Do we have no sense of dignity? Harry Belafonte, quoted in The New York Times Magazine, August 26th, 2001. :: posted 22:19, August 27, 2001 The Philadelphia Airport has rocking chairs. They are sturdy, white, all identical, perhaps purchased at Walmart, and placed usually three together between plastic plants, or facing a window. Their slogan: "Think of us as a shopping mall with a landing strip." But they can't beat Washington Reagan nee National, with its Smithsonian Store and Sushi Bar. Angry: the article in the weekend Ottawa Citizen about police surveillance of the protest movement. I assume there are no police dossiers concerning the Fraser Institute or international media bully Conrad Black. I wonder if they realize what effect this is going to have on so many of us that had been standing on the sidelines. :: posted 16:47, August 20, 2001 Nice piece at Salon about Love and Rockets. I always found it a hard book to follow, because I read Music for Mechanics in one sitting on the floor of CKDU during a funding drive party. You can't tell the players without a scorecard. I didn't jump in with both feet again until the early 90s, then it disappeared, and now its back. Maggie and Hopey are in their 40s now, and I'll have to check it out. :: posted 16:38, August 20, 2001 Back from Toronto. Two days of project management seminar and one and half days of vacation. Not sure if two days off can really be called a vacation. The other-worldly weather, humid and hot, reminded me of a science fiction story I read as a kid: it never stops raining on Venus, and these lizard people kill you. It's the sound of it that drives everybody batty. Sweat drips onto my glasses, onto the inside. |
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